My books

Genie, Genie, Genie

A sparkling new podcast episode which dares tell the truth about wishes and the human heart.

“Winner Winner!” “Divertissement,” “P.I. Tchaikovsky Dance of the Sugar Plum Fairy,” “Ghost Dance,” “I Knew a Guy,” “Camille Saint-Sans Danse Macabre” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0

“Someone Else’s Memories” from the album The Politics of Desire by Revolution Void licensed under Creative Commons Attribution License 3.0.


Rabbit Digs the Hole

The Rabbit needed a place to rest. And the safety in the open was a matter, as usual, of grave importance. So he claimed the right of the land and began to dig. Down. Sloping down. Into the cool and welcoming Earth. Some creatures were displaced, with as much grace as could be administered in the circumstance, and a network of tunnels joined the network of tunnels that formed the local underground. A refuge of perpetual night.

Idle Rabbit, Rabbit Idol

One digs to escape, dig it?

There were Moles in the underground.

It was to be expected. As the rabbit was relaxing after a cool dig, in the cool splendor of his new digs, one of the moles literally tripped over him.

“I say, who’s there?” shouted the Mole in a horse whisper. 

“I am just an adventurer,” said the Rabbit. “I am not a fighter.”

One digs to escape, dig it?

“Well, sir,” said the Mole, “You are a malingerer! Hiding away from the troubles of the world! A shirker. What do you say for yourself?”

“At the moment,” said Rabbit, “Nothing.”

The accusation was not without some merit.

“Deadly silence,” said the Mole.

And there were dim eyes all around. The underground. Moles in the underground. Suspicious. For good reason.

One digs to escape.

“We are the consolidated underground,” said the Mole. “We are what is left of those who came before. Scraps. Bits and pieces.”

“Where will you go from here?” asked Rabbit.

“Onward,” said the Mole. “To the inevitable ending. We fight no longer to win, no longer is it personal survival which drives us. We fight especially hard when we cannot win, for then our actions matter even more. For then it is a matter of righteous history.” He shrugged his slight shoulders. “We travel the underground. It provides escape routes and comfort. Comfort is, you know, fleeting in this world.”

Among the Moles were scattered others. To the far side was a Shrew. Her eyes illuminated and flickered reflecting the Rabbit’s light. 

Dig it?

“Now,” said the Mole, “We construct the story of our glory. Battling against great odds we keep true to our ethics. And hope that our ideals emerge victorious. You see young Vanja. She joined us after her village was destroyed. We have scattered into cells and travel the tunnels. We emerge one at a time and tell our story at random locations, to random listeners. Then we retreat back underground. It is the only way. Vanja is particularly adept at this kind of warfare. It is like starting a thousand fires. It is uncontrollable. It is unconquerable.”

“Have you heard,” said Vanja, “The song of the traveler? It is reverberating everywhere. The traveler landed in a field. Fell out of the sky. And arose. It was a celebratory feast the traveler had landed on the outskirts of. There were park benches and food. Flowers. And merriment. But the traveler saw above the festivities hung the body of a man, dangling over the events. Still. And no one else gazed toward the sight. Instead children played and lovers fraternized, even quarreled over trifles, while above the man twisted in the happy breeze. And the traveler said, ‘Who is that man? Why does he hang around here?’ And the crowd turned ugly. For it was not a topic for polite conversation. And words were minced. And there were misunderstandings and malice. And the traveler left, for it was not the destination, you see, but afterward people kept looking at the hanging man, who they had previously forgotten. And they were ashamed. But they did not know what to do about it. And that is how the picnic was spoiled, but there were disagreements about why.”

art by Richard F. Yates

The marketing of desires unfulfilled

Scene from a pornographic film in 8 millimeter, silent:

A title card read: “Oh, Eros! God of Love! Forgive me!”
There are street scenes of people of all ages walking alone in the city. At the park. Eating alone in a restaurant, an act Rain considered the impetus for the creation of drive-through windows, and then, as she thought this, a shot of cars lined up at a drive through window, each car with one passenger. A shot of exhaust spilling out of the tail of an idle car, ready to go but confined in line, waiting for full satisfaction, only to be thwarted by industrialized processed food from which most nutrients were removed, prompting a drive to continue consumption in order to fill the resulting void which was bottomless. Top off. Always.

Continue reading…

New Books! New Books for Old!

Two NEW books for the New World.

Sex Robot Cuddle Party & At the Existential Sandwich Shop;An older book: Perils of Free Thought: a book of no small danger and my oldest books revised and reformatted for the world of the future, Scenic Cesspools (a novel of transgression) and Hard Fought Illusions of Choice.

Available from Amazon, KOBO, Barnes & Noble, Overdrive

Continue reading…

More Than True with David Raffin, ep. 1

In these trying times what is needed is

More Than True

now more than ever.


If the Shoe Fits.

The cobbler has succeeded.

Music:
“Divertimento K131”, “Winner Winner!” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0

“Strange Italian Song”, “Exotica”, “Oriental Fever” from the album “Exotica” by Juanitos is licensed under Creative Commons Attribution 2.0 France.

“Someone Else’s Memories” from the album The Politics of Desire by Revolution Void licensed under Creative Commons Attribution License 3.0.