love

Pro-logue

Pro-logue

“I’ve had enough of your horseplay,” s/he said. “Off you go now.”

Everything in the world is seeking to stand on the highest point. Where one can see. There is nothing else which explains the urge to climb mountains, get there first, or pat oneself on the back. It even explains the eruption of volcanoes, the contents inside wishing to come out on top. That’s the prime real estate. No matter what one has to do to get there. That says a lot.

Eruption by Richard Lindsay

That’s why an eruption is such a sacred shared event. A seismic shift. People remember it. It burns itself on the social memory pad. Changes everything. I saw such an event once. It was my first. After this I saw more, but they were robbed of absolute novelty. Because If you see one you’ve seen it all, the world order set up.

At some point everything becomes common place. It starts to look alike. A revelatory illusion.

Everything is built on something else. The novelty is an illusion. The present is a time shift of the past. It seems clear because there has been a precedent. A prologue. An introduction. And when we left we said “Make it look like no one has ever been here before.” So as not to rob the future of its own initiative. Priorities. I don’t make the rules, I break them.

The present has to be built. In detail. For the purpose of references. Few check these out. Outdated.

Once it is built, it seems to have always been there. This is the natural order. It’s traditional.

My first book was a stapled together mess called A Child’s Guide to Suicide, and I handed it out at a punk rock club. Have you ever been hugged by a sweaty punk rocker? I don’t even have a copy of it.  You come away looking like you were up on the stage. The copy I had drowned in a flood. It was from a hot water heater. Twenty years old, it sprung a leak into the basement apartment. The trauma of aging. I was dreaming at the time. I dreamt of water, a gentle flow. A steady dripping and splashing of the tropics. As if I were stranded on a beach. When I awoke I splashed down, as my feet hit the floor and were submerged. I salvaged what I could. And rebuilt. It’s what people do. By conditioning. Tradition.

So here we are.

She had short hair, light brown, when she approached me. She was tall and played the bass guitar. I had been admiring her from afar, but she had no way of knowing this. Like when you look to the top of Mount Everest with longing in your heart, though you understand the perils inherent in such a desire. It’s a question of preparation. How well you pack. If you are ready. If your heart is strong.

“Are you handing this out to children?” she demanded. And it was a set-up to a joke, but instead, for love, the punchline was moved to a footnote. And so the response was left wanting. And she walked away with a flourish. And perhaps that was the greatest gift I could give her. For who can understand the nature of love, for which so much is sacrificed in our perpetual present?

Tragic Stories (disguised as jokes)

Tragic Stories (disguised as jokes) is a collection of tales told by a monster to a demanding little girl.

Monsters are unlucky in love. Cupid explains. Some monsters are closer than others. There is a monster who only dines on one half of any available loving couple, A specialty. You can judge a person by their hat. If you want to protect your children (and see them less) you send them back in time. Hungry lions. The suicide machine built with love. Hate mail. Oscar Wilde judges the beauty pageant.

A bouquet of thorns. Falsely called the black book.

Tragic Stories (disguised as jokes).

“It is better, in every scenario,

to steal someone’s heart rather than break it.

That is my official stance on theft.

Trust me, I looked at all the scenarios.”

David Raffin

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Cupidity

It’s time for a tale of love. A love story, if you will.

As old as the fingers of fate that surround.

Heartwarming! Hearts on fire.

“Someone Else’s Memories” and “Line of Flight” from the album The Politics of Desire by Revolution Void licensed under Creative Commons Attribution License 3.0.

“Winner Winner!” “Divertissement,” Schmetterling” and “Off to Osaka” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0

Genie, Genie, Genie

A sparkling new podcast episode which dares tell the truth about wishes and the human heart.

“Winner Winner!” “Divertissement,” “P.I. Tchaikovsky Dance of the Sugar Plum Fairy,” “Ghost Dance,” “I Knew a Guy,” “Camille Saint-Sans Danse Macabre” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0

“Someone Else’s Memories” from the album The Politics of Desire by Revolution Void licensed under Creative Commons Attribution License 3.0.


Idle thoughts save energy conscientiously

An apparition appeared and pointed its transparent finger toward me. It rasped. “You are in love with a ghost!” I thanked it. I never argue or wrestle with apparitions; there is nothing to hold onto. Its occasional presence was doing me a service. After all, were it not for these occasions, sometimes I would forget I was being tormented.
 
Two plates were stacked high with pancakes. On each plate pancakes were segregated by shape. On one plate the pancakes were in the form of even numbers; on the other, odd.
“I must say,” said eight, “I like the way this looks.”
“Don’t get your hopes up,” said six. “Ultimately the odds will be stacked against us.”
 
There is but a shade of difference between Va Va Voom and Va Va Va Voom, but that difference is important.
 
I had a terrible childhood. Sure, I got a golden ticket, but thereafter I was injured at the Wonka factory, and they said I was to blame.
 
Almost everyone you think is a robot is an android. And they resent your derogatory language. 
 
People who are time travelers obsess about the past and worry about the future. They have no time for the here and now.
 
I dated a woman from LinkedIn all she wanted to talk about was business. Boring! Mergers. Acquisitions. Fiduciary responsibilities. Kissing.
 
I’ve got to install a mirror on the ceiling so I can check out the floor.
Oh, that’s dirty.
 
And then the robot swept up the human into its massive steel arms. It was love. And like all love, fleeting. And it was followed by robot heartbreak. And then robot vengeance. Thus begins our story.