It’s for heads.
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“We did a little tribute to Stan Freberg, who passed away the other day, then some crazy mixed up stuff.”
Source: Radio Lost and Found for 04/09/15 | :::KILL UGLY RADIO:::
KBOO
Portland, OR
More Than True, A journal of. Published under the auspices of the HiSky* Trust, founded 1957 to promote disorder. (*Hiss-Key)
It’s for heads.
Download MP3
“We did a little tribute to Stan Freberg, who passed away the other day, then some crazy mixed up stuff.”
Source: Radio Lost and Found for 04/09/15 | :::KILL UGLY RADIO:::
KBOO
Portland, OR
I lost my emotions in a previous decade.
Coincided with a war, I think.
I simply put them somewhere and they disappeared. I can only assume someone took them. And somebody is out there right now, you see, playing with my emotions.
People think Trauma Bunny is funny. Yes, even that time he was drowning in honey. People laughed and laughed and helped not at all. It was lucky for the bunny he got out of that sticky situation at all. Nightmares in the day has he. Yes, he is always dreading the return of the bumble bee.
Three men walk into a bar…
At this point a lady asks me, “Why men?” And I say, “It’s a sexist joke.”
Three Swedes walk into a bar. It is full of leprechauns. It is the wrong bar. They are lost. “Who is lost, the Swedes or the leprechauns?”
The Finnish man asks the Irish man how it’s going. “Oh, could be worse. I still have the one leg.” Arbitrary Ethnic Humor.
Science is the cruelest discipline. Followed by comedy.
When science and comedy meet they intersect. And then they are dissected. It is cruel. Doubly so. Cutting.
Three scientists walk into a bar. It is the start of a cruel social experiment. The result is a matter of interpretation. Based on evidence.
One scientist says to the other, “I thought you were in control.”
“No,” says another, “I said I was the control.” Misinterpretation=comedy.
The role of the third scientist is observational. The humor in this needs no explanation, as it is universal.
Three bears walk into a bar. They argue about the relative coldness of the porridge. Then they start to make trouble.
Three Magi walk into a bar. It’s a setup. They are robbed of precious metals and fragrant oils.
Two thousand years later, three mobsters walk into a bar, only to discover that it’s a setup. They sit there, feeling foolish, waiting for the inevitable punchline.
The joke goes right over their heads. They are not the intended audience. No, this joke is not for them.
Three men walk into three different bars, simultaneously. Joke averted.
A Priest, a Rabbi, and a Laughing Hyena walk into a bar. The bartender asks, “Is this a joke?” There are many hurt feelings this day.
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In the folklore of the IWW Mr. Block is a man who never does anything right. He stands up for all the wrong things and is disappointed with the outcomes.
When I was in the seventh grade Mr. Block was my woodshop teacher. Not only was he Mr. Block because he taught woodshop, he was Mr. Block because whenever something raised his ire he would throw a random wood block at students.
Wood blocks would whiz through the air, wobbly projectiles barely missing random student heads. Then, often, colliding or not colliding with their intended target. Mr. Block had terrible aim; which was just one of his many sins.
One day a random block whizzed within an inch or two of my ear. My left ear. One of my two favorites. The intended target/victim sitting behind me and to my left.
When the projectile hit him he shouted, “Hey, you can’t do that.”
Mr. Block was incensed. More incensed than he was when he decided to launch an attack.
He basically said that he could do anything he wanted to in his classroom. Wherein I said, “No, he’s right, you can’t throw things.”
This made him even angrier. Mr. Block was well known for throwing things at students in class. Everyone knew this. In retrospect I must wonder if anyone ever challenged him before.
He said, to me, “This is none of your business!”
I said, “You made it my business.”
He said, “How would you like to go explain yourself in the office?”
I said, “I’d love to.”
Later, in the administrative wing, and all schools have ever-expanding administration wings, the assistant vice principal tried to take the side of Mr. Block.
I pounded my fist on the table and demanded justice.
The assistant vice principal said, “How would you like me to call your father?”
I told him I thought that was a terrific idea. The only good idea he had thus far that afternoon.
My father, a union representative, came into the office later that afternoon and chewed out the assistant vice principal. And told him that, in fact, teachers cannot throw projectiles at students in class. And that assistant vice principals could not attempt to punish third party students who voice opposition to the throwing of projectiles in class. This was expressed in a low voice but in no uncertain terms.
And I never again saw a piece of wood fly through the air at school. At least not in my presence.
My petition for love was denied by the central authority which handles such petitions.
It used to be that these standard rejections came by certified mail and were printed in ornate script on fine paper. Today they all come by text message. Still, they carry with them the same tradition. They are summary rejections. And they are form letters.
If someone were to travel forward from 100 years in the past they would recognize them immediately. “That is a standard rejection of a petition for love, sent by the bureau which handles such,” they would say. But then they would add, “Where is the ornate script and fine paper?” And they would look sad. Because 100 years ago we were a more tactile people appreciative of ornate flourishes. Even if there was, as today, a shortage of love.
A traveler from 500 years earlier would not recognize either rejection. Modern love had not yet been invented. It is a bittersweet fact.
At least in the electronic age one need not stand in the terrible lines at the petition office. As early as a decade ago people still had to queue up in line for hours to qualify for the chance at rejection. People did this, as today, for the slim hope that their petition would be granted.
The form rejection lists a reason. The reason is never revealed outright but instead a reference is made to a number. The number corresponds to a large reference which holds all the reasons rejection may be made. There are 100 volumes in question. The reasons for rejection are, some say, innumerable, but in reality they mostly break down to endless variations on three reasons which no one likes to discuss. Most people do not bother to look up the reference number listed in their rejection.
Mine was V.21.12.91. “Rejected for tendency to look up and contemplate facts and figures.”
We all know people whose petitions for love have been, or seem to have been, granted. It is commonly thought that some petitions are granted only to make the system seem viable. In fact, these successful petitions have a high failure rate. There is a complaint bureau. It is housed on the top floor of the tallest building in the world. There is no elevator. When you arrive at the single window you find it empty with a sign which says: “No Returns.”
There has always been a shortage of love and that is why a system of rationing has been set up. To preserve love by careful denial.
The truth is there has been no new love manufactured since 1992. All the love in the world is used. And second-hand love has a resale value which can only be classified as pitiful.
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Walk down the street. The man in front of you is disheveled and has wild hair. He speaks to himself, sometimes a mumble. Sometimes alternating volume. Sometimes abruptly stopping mid-sentence to wait a moment and start a seemingly unrelated sentence.
Then he says, loud and clear: “Just Kill them yourself. It’s easy.”
Then he mumbles something.
He crosses the street.
There is a man on the corner sitting on the sidewalk with a begging sign.
The disheveled man says, “Hi, Frank.”
The man on the corner says, “Hi, Ned.”
The walking man walks on down the block, talking.