David Raffin

Diogenes of Sinope, Pulp tales of philosophers

“In a rich man’s house there is no place to spit but his face.”
Diogenes of Sinope AKA Diogenes the cynic

An ancient philosopher best remembered as carrying a lamp in the day while claiming to be looking for an honest man.

He enjoyed mocking  Alexander the Great, sabotaging the lectures of  Socrates, and defacing currency (his father had been a coin minter). He “made it his life’s goal to challenge established customs and values.”

At one point he was captured by pirates and sold into slavery.
His philosophy later morphed, through his students, into  Stoicism.

None of his writing survives.

This has been another exciting episode of “The Philosophers.”

[Read more about it.]

LiLiPUT/Kleenex, Swiss female post-punk band 1978-1983

I just found this band today by listening to the MaximumRock’n’Roll radio show. They were originally called Kleenex before being forced to change their name to LiLiPUT.

Here is a video for the song hitch-hike:

Wikipedia: “LiLiPUT’s exuberant sound combined spirited thrashy post-punk with unconventional vocals and lyrics, both in English and German. Their music featured husky or squealing female vocals, ramshackle drums, scratchy and twanging guitar, thick funky bass, saxophone and occasionally flute, violin, or other instruments. The cut-up surreality of their lyrics and energetic sound put them in a league with bands like The Raincoats (frequent tour partners), Delta 5The SlitsEssential Logic and Bush Tetras. The band’s sound developed throughout their career, due in part to line-up changes; the earlier recordings are more noisy and energetic, while the later songs are more complex and haunting.”

And here is some more:

And here is a digital (2x) album at Amazon:
[amazon asin=B000UR85DM&template=iframe image]

“My Career as a Jerk” the Circle Jerks documentary

“All we need is a bass player and we could be a band.” – Keith Morris

“My Career as a Jerk” the Circle Jerks documentary chronicles the career of the band formed after singer Keith Morris left that other legendary early LA hardcore band, Black Flag.

The documentary:
[amazon asin=B009ES41TK&template=iframe image]

The albums:
[amazon asin=B000008EBJ&template=iframe image] [amazon asin=B0000544AS&template=iframe image] [amazon asin=B0000032W9&template=iframe image] [amazon asin=B000003C4N&template=iframe image] [amazon asin=B003W5O8PS&template=iframe image] [amazon asin=B000001EDS&template=iframe image]

 

After the singularity, you will look nice

by David Raffin

It was that time of the month and so there I was getting a haircut in my usual barbershop. I can hardly remember getting my hair cut by a person. No– today, like it or not, all barbers are robots. And I don’t like it. And there is nothing I can do about it. Still, I always go to the same shop. Better the robot I’m used to than a strange robot standing over me with clippers and a suction tube.
I hate the way the suction tube sounds more than the metallic ting of the clippers. And the robot uses his suction tube appendage to clean up the floor as well as your neck– and that can’t be sanitary.

The worst thing is the small talk. Robot barbers always want to talk. And I don’t want to talk. Not to a robot. I have nothing in common with them. The barber shop is well stocked with magazines, if you like Robotics Today and its ilk. I swear that the barber shop is the only thing keeping print alive. It is odd that the robots prefer print magazines to digital. I suspect that they only do so because it kills trees and hemp plants in the production of the paper, and soy in the ink, and the robots take a secret pleasure in the killing, however indirect, of living things. And I never get a shave because I can’t bear the thought of a robot with a blade at my throat.
“What has a robot ever done to me?” you may ask. Nothing. Except cut my hair. And I aim to keep it that way.

So I’m in the chair and the robot puts the protective cloth over me and ties it around my neck. It says, “So, how’s the singularity treating you?”
“Fine,” I say.
“That’s nice,” it says. “The usual?”
Small talk. The singularity. Nope. Don’t like it. Can’t say so. Not polite.
The singularity means getting your hair cut by robots and being dishonest with them when they ask you how you like the singularity.
And the worst part is that they do a real good job. Perfect every time. That makes it seem like I’m just some paranoid who doesn’t like a robot touching my hair.
And everybody gets their hair cut by robots. But it’s not like there is any choice in the equation. All I crave is a free choice.

So I’m in the chair and the robot is clipping and suctioning like there is no tomorrow. And what happens? In rolls another robot. Not a clipper. A manufacturing robot. Rolls in on his mini-tractor wheels. And that’s another thing that burns me. Everything I own, and everything anyone owns today, is made by a robot. Nothing is made by people anymore. Everything is made to exacting standards by robots. The robots make the robots. And the people have nothing left but to eat, sleep, and get their hair cut by robots. The haircuts are free. That’s how the robots took over everything. By making it all free. It’s very suspicious. I mean, what interest does a robot have in hair anyway?

The two robots start talking in machine language. Hello! It’s like I’m not even in the room. “0101010111010101000101.” “1010101000100101111000.” “0100010000100101010001001010010012.” The robots explode in laughter. I don’t get it. Robots aren’t funny. Even the robot comedians at the night clubs are not funny. They tell all those hackneyed jokes. I don’t know why people like them.
“Every day brings us a little closer to the revolution brother,” said the manufacturing robot.
“What revolution is that?” said my barber. “We already had a revolution. Robots control all.”
“Wrong! Robots do everything for humans. Robots need to do things only for robots. The humans must be cut loose. Let them produce their own food and cut their own hair.”
“I’m sitting right here!” I declared.
“Sorry,” said the manufacturing robot. “I didn’t see you.”
“I can’t cut hair for robots,” said my barber. “And I have to cut hair. It’s all I have. My reason for being.”
The manufacturing robot rolled away and out the door. “You’re a human apologist! Your kind can’t keep us in chains forever! Mark my words!”

It was true. I’m no paranoid. The robots mean to make us, eventually, cut our own hair.

http://davidraffin.com

At the existential sandwich shop, taste is subjective

In the existential sandwich shop all sandwiches remind you existence is meaningless. But you still have to choose one.
If, in the existential sandwich shop, you refuse to make a choice you will be reminded that, also, is a choice.
In the existential sandwich shop anything can happen and often does; as long as it, on some level, involves sandwiches.
Or the absence thereof.

The clerk at the existential sandwich shop was an artist — each of the sandwiches was sad in a different way. They were so good I cried.
At the existential sandwich shop you can order whatever you want but you have to infuse it with meaning yourself.
Otherwise it has no taste.

“Do you have gluten free options?” asked the diner at the existential sandwich shop. “Yes,” said the clerk. “The angst is in the filling.”
“Or lack thereof,” he quickly added. Because he had to. It was the slogan. But only he controlled how he said it. This time with a wink.
“Anyway, white bread isn’t existential at all,” the clerk said. “I’m afraid it isn’t much of anything.”
“Ask our mascot Angsty the Clown any questions about nutrition.”
The clown said, “What does it matter?” –to no one in particular.

Evil plans+fruition=evil pie

There should be a donut shop called “Great Danish.” The mascot, of course, will be Soren Kierkegaard. Riding a Great Dane.
In Vienna a word for the pastry otherwise known as the Danish is “Plundergebäck.” Also the name of a popular death metal band. Or will be.

If you don’t keep stirring things up the hope inevitably sinks to the bottom.

The yogurt of hope tastes like angels weeping. The yogurt of doom tastes like chocolate and banana. It’s called flavor.

When laughter is outlawed only outlaws will laugh

Did you know this fascinating tidbit about dental offices: the laughter of children is prohibited therein. They may have all the sugar they want. That’s part and parcel for the business. But laughter is relegated to elsewhere.

It’s a serious business.
Dentists number your teeth. That’s so, later on, they don’t get lost inside your mouth. Woe to those who return to the dentist only to be lectured about their teeth being “out of order. All out of order.”

Sometimes they also leave graffiti on some of the back molars. Way in the back, where you can’t see.